#241

Doctor Strange of Wetshaving
Forio d'Ischia, Naples, Italy
Today in my SOTD ...

https://youtu.be/eMqsWc8muj8

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Where there is a great desire there can be no great difficulty - Niccolò Machiavelli & Me
Greetings from Ischia. Pierpaolo
https://ischiapp.blogspot.com/
#242
It is Sunday and the political turmoil goes on so U2

https://www.youtube.com/watch?v=EM4vblG6BVQ

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#243

Vintage Shaver
Seattle, WA
Giacomo Carissimi: Oratorio "Jonas"
Alexander Weimann/Les Voix Baroques; Suzie LeBlanc, soprano; Maria Keohane, soprano; Josée Lalonde, alto; Colin Balzer, tenor

Camille Saint-Saëns: Carnival of the Animals: The Swan
Bion Tsang, cello; Cecilia Lo-Chien Kao, piano

Josquin Des Prez: Missa Pange lingua: Gloria
Peter Phillips/The Tallis Scholars

François Couperin: Piece de Violes Suite No.1 in E minor: I. Prélude/II. Allemande légère/III. Courante/VI. Gigue
Nima Ben David, bass viola da gamba; Sophie Bauchet, bass viola da gamba; Hélène Clerc-Murgier, harpsichord; Jonathan Rubin, guitar and theorbo

ExtraProtein likes this post
John
#244

Posting Freak
Peachtree City, GA
Absolutely love early U2. Every song was a primal scream against Brit colonialism, fascism and injustice.

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#245

Doctor Strange of Wetshaving
Forio d'Ischia, Naples, Italy
Today in my SOTD ...

https://youtu.be/Dn8vzTsnPps

ExtraProtein likes this post
Where there is a great desire there can be no great difficulty - Niccolò Machiavelli & Me
Greetings from Ischia. Pierpaolo
https://ischiapp.blogspot.com/
#246

Vintage Shaver
Seattle, WA
Johannes Brahms: Clarinet Quintet in B minor, Op.115
Andreas Ottensamer, clarinet; Leonidas Kavakos, violin; Christoph Koncz, violin; Antoine Tamestit, viola

ExtraProtein likes this post
John
#247

Doctor Strange of Wetshaving
Forio d'Ischia, Naples, Italy
Today in my SOTD ...

https://youtu.be/Zq3cHx0W_RA

ExtraProtein likes this post
Where there is a great desire there can be no great difficulty - Niccolò Machiavelli & Me
Greetings from Ischia. Pierpaolo
https://ischiapp.blogspot.com/
#248

Vintage Shaver
Seattle, WA
Franz Schubert: Symphony No.8 in B minor, D.759 "Unfinished"
Nikolaus Harnoncourt/Royal Concertgebouw Orchestra

Fernando Sor: Etude, Op.29/19
Jeffrey McFadden, guitar

Ludwig van Beethoven: Cello Sonata No.3 in A, Op.69
Lynn Harrell, cello; Vladimir Ashkenazy, piano

ExtraProtein likes this post
John
#249

Doctor Strange of Wetshaving
Forio d'Ischia, Naples, Italy
Today in my SOTD ... Frankenrazor and Frankenmusic

https://youtu.be/U13xOvDa19U

ExtraProtein likes this post
Where there is a great desire there can be no great difficulty - Niccolò Machiavelli & Me
Greetings from Ischia. Pierpaolo
https://ischiapp.blogspot.com/
#250

Vintage Shaver
Seattle, WA
Claude Debussy: Petite Suite, L.65
Michel Béroff and; Jean-Philippe Collard, piano four-hands

Edvard Grieg: Symphonic Dance No.2, Op.64
Neville Marriner/Academy of St. Martin-in-the-Fields

Johann Sebastian Bach: Motet No.6, BWV 230 "Praise the Lord, All Ye Nations"
Helmuth Rilling/Gächinger Kantorei; Bach-Collegium Stuttgart

I love the Grieg, especially performed by the Academy. I'm not so fond of the Bach, although the story is that Mozart was fascinated by his counterpoint. In 1789, Mozart traveled to Leipzig and performed on the organ Bach had played at St. Thomas Church when he was the music director. According to an eyewitness, the German musicologist Johann Friedrich Rochlitz,

"Mozart played without previous announcement and without compensation on the organ of the church of St. Thomas. He played beautifully and artistically before a large audience for about an hour... Doles (Johann Friedrich Doles, a former student of Bach's who had succeeded him as the church’s music director) was utterly delighted with his playing and thought that old Sebastian Bach... had been resurrected. With good taste and with the greatest ease Mozart employed all the arts of harmony and gloriously improvised upon the themes, among others of the chorale 'Jesu, meine Zuversicht'...

"At the instigation of Doles,... the choir surprised Mozart by performing the motet for double choir, 'Singet dem Herrn ein neues Lied'... As soon as the choir had sung a few bars, Mozart started; after a few more he exclaimed: 'What is that?' And now his whole soul seemed to be centered in his ears. When the song was ended, he cried out with delight: ‘Now, here is something one can learn from!'"

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John


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